Hey guys, many thanks. Looks like I should continue with the Leftfield route then
TBH I enjoyed playing Tennessee Waltz more as it was more of a challenge and I learned a lot of new ways to do things. Appreciate that it is more of a ballad really but it was fun to play with a bit of an up tempo "bounce".
Not sure if my picking technique is how you describe it Danny, it's more of a cobbled together style. With the 12 strings I find that I have to keep the bottom strings damped a lot of the time to avoid stray notes & noises which restricts what you can do with the rest of your RH, so I tend to have the bottom part of my palm permanently damping and using the top part and parts of my fingers to damp what I'm playing. Often I damp too hard down the bottom and the B string hits off the pickup pole - thump!
Anyway I'm loving playing at the moment, can't stop.
(Not as bad as John D yet though, recording in the middle of the night

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