Hey guys, thank you for the warm welcome. I lurked a little on the old site, while I was considering buying a steel and now that I have really got into it I wanted to make an appearance, this thread seemed ideal.
Dave,
Your right about not being able to try one out, I live in London and even the mighty Denmark street shys away from the pedal steel. Only one shop I visited had a secondhand steel in stock.
Don't worry about the names I mentioned I only came across them through tedious links really,
no one is out of touch! Tonbruket are a new band and I'm guessing most people will only know them if they are into contemporary Jazz. The bass player was in a band that led that field. This band however is far from jazz, its a very new direction for me; a mix of instrumental rock with atmospheric, ambient music. Johan Lindström is the steel player. Ben Kweller is a young American singer songwriter type more popular in the states I think. He writes music for girls mostly

, however this new album is a departure from that and is heavily country influenced. This record was very accessible as it sounds new and glossy but still holds a lot of the old country values. Kitt Kitterman is the steel player on the record.
I have an eighties MCI D10 in black, 8 pedals, 4 levers. Maybe someone could give me some more info on it, like dates etc. MCI seems quite hard to research. What info would you need? I am really pleased with it, and really enjoy playing it. I am playing in a band as a guitarist and I hope to bring the steel to that group when I progress a little. I live in a house full of musicians, so I play with those guys a lot, just for fun.
As for where I see the instrument going... I think it needs to make an appearance outside of its comfort zone; at least a noticeable one anyway, its tether to one genre of music is not healthy. I love the fact that the steel is such a new instrument; and I think for me personally it holds a lot of potential to create new and exciting sounds that go beyond that of a guitar with nobs on. I think the limits of this instrument are far beyond what I have heard so far... I want to hear it unrecognisable as a steel. Don't get me wrong its the sound on the old records that got me hooked but its the potential that interests me more, I think we need people to take some more chances with it, make some
mistakes then when people start copying those mistakes slightly differently something entirely new could me made. I saw this a while ago, its a bit messy and noisy but there are parts that I think work; this is sort of what I mean. Its quite inaccessible, musically, think of it as an experiment!
http://www.youtube.com/watch?v=plk8H9f69Rs