I've had a quick look at the "karate chop" thing. I was lucky that it's very early in the Joe Wright piece because I was already irritated by him not using picks from the start

I'm guessing he brings them in later (and if so - why not right away? Bad habits are hard to break). I have a thing about using picks
Anyway, the way to see it is that your right hand rests on the strings, relaxed. If you
try to hold that karate chop position it won't work because your hand will tense up. When you pick a string, that's when you raise off the strings enough to let it ring. It need be only a couple of mm or so. After some practice you can find the place on
your hand (not Joe's) where there is a little gap that you move forward and back across the strings as you pick, so it just clears the one you want to sound. The palm-edge clears
because you have very slightly rolled your hand anticlockwise to put pick onto string. On my hand it's about where that crease from between index and second fingers reaches the edge of my palm. It's not easy to describe - it just comes with practice. But the secret is a RELAXED picking hand. The fleshy part of the hand still rests on the bass strings - that's how little it needs to be raised. Naturally you raise further to play chords.
If you live anywhere near Bedale, N/. Yorks come and see me?
