winsteelman wrote: . . . . . I think my strings are ready to break just right at the third fret.
John, I hope you don't regret writing that! ~~~ if Mr Gamble reads it he may just sink his teeth into it and never let you forget it! (I'm talking from experience.

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. . . and talking of writing 'regretful' things, I'm probably about to do just that.
IS IT ME, or is anyone else having the same trouble with a couple of the tunes for May?
Of the three tunes I'm having a bit difficulty phrasing the melody of two of them into the backing tracks. I've never had a problem with any of the previous BIAB tracks that have gone before at the earlier meetings. I don't know how the rest of you go about working out how to put the melody to the track, but I normally try to work out the melody on the steel first, without the track, then when I've got a bit of a sound-alike I try to match it to the track. Normally I can 'hear' where I should be coming in, but 2 of these tunes aren't working for me. My habit has been to listen to the track(s) a time or two, then either hum or whistle the melody "into" the track before even going near the steel. (Yes, Yes, I know my humming and whistling is infinitely better than my steel playing.)
First, and I should say that I haven't spent too much time on this one yet, but I haven't got the George Jones song sussed yet but I'll get back to that one.
The one that's giving me most problems is "Am I That Easy To Forget". I've tried changing to umpteen different styles but just can't get into it at all. I'm really only familiar with the Jim Reeves version, but has it (the track) been done in a totally different phrasing and rhythm style? Is that my problem?
Haven't had any problems with "Don't Let Me Cross Over". Got straight into that from the off, although the versions I know (Jim Reeves/Deborah Allen; Possum Jones, The Kendalls etc.) all seem to be considerably slower.
(Now, there are probably umpteen things I've written that I'll wish I hadn't. Hope Mr Gamble doesn't read this.

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