More experiments!!

[Gary James Peters]

Here's one for my ever-decreasing fan base...one of my favourites as it happens.

[Haddock]

Ripe for some interpretative dance! In another life I would have called that ‘mad jazz stuff’ but now I find myself trying to work out what’s going on in your head.
Cheers
Calum

[Gary James Peters]

As for my head: not much.

It's all feet and knees, as you know only too well.

And notice my proper lace-up shoes.

G

[Danny Mitchell]

"Michin Gugsu!"
Watch out Gary! Sticking your thumb around, behind the bar, will get you kicked out of the party these days.
Never seen that move done before, bold as ever.

[Gary James Peters]

The thing that impresses me most Danny is that you got as far as 2:02 in order to witness the reverse bar pick (as I shall call it from now on). In fact, I've recorded at least one piece where I ONLY play that side of the bar. You can get this great "Balinese" kind of effect, you should try it. Bar at fret 7 is best.

I actually can't remember the last time I went to a party...probably the same night I got kicked out of the party!! Reminds me of my Grandma in reverse (she loved a 'drop' of gin), me and my brothers often had to carry her INTO parties. Happy days!!

G

[Ken Byng]

I noticed a bit of 'gutting' with the volume pedal at 1.59. Curly Chalker speciality.

Well done Gary - keep 'em coming!

[Gary James Peters]

Thanks Ken.

Um...and what's gutting? Please don't make me listen to 1:59 to find out!!

G