Interesting.

[slimbo]

newsletter comes from Van Coffey. A good read, hope for us all yet.

For those of you who don�t know me, I started playing steel when I was fourteen
years old so I�m going on four decades of steel playing. I�m currently playing
steel for George Jones.
I came to Nashville in 1991 with Collin Raye and played with Collin for a number
of years. Before that I worked the Nevada and California circuit for many
years. I was raised in a family band.
I always played all pull steels until recently. Now I�m playing a push pull and
learning it�s a whole different animal. The tuning is so different on it. It�s
backwards from an all pull system which carries a bit of a learning curve with
it. But there�s nothing like the sound of a push pull so it�s worth the
headache to get the tone that comes with the push pull sound.
After playing everything from MSA, Sho-Bud and for many years Sierra guitars, I
now play a �68 Emmons. I played my Sierra on the first couple of shows with
George and then the leg lock broke and I had to take my Emmons out on the road
while waiting for a replacement part.
The entire band liked the sound of the Emmons so much better than the Sierra
they said I had to leave the Sierra home and keep the Emmons on the road. It�s
been that way ever since. I�m glad they did because it�s made me more
comfortable with the Emmons.
Due to the Emmons, I�ve been reminded of why I got into steel guitar. It was
for that great tone. Now I�m happy and everyone else seems to be happy with it
too.
I started out a guitar player. I figured out that if you can do something on a
guitar, you can also do it on a steel plus a whole lot more. Bottom line, a
steel goes way beyond what a guitar can do.
I learned from playing in three piece groups that there�s a whole lot of space
you�ve got to fill up. So I learned to play lead guitar, rhythm parts, slide
guitar parts with distortion as well as steel parts. If you�re playing guitar
in a small group and looking for a way to fill out the sound, steel is much more
versatile than just a guitar.
Today�s country doesn�t really have a lot of steel in it, which I hear plenty of
places the steel should be put in. I don�t know why and I don�t want to point
any fingers, but producers and artists today just don�t seem to have the ear for
steel.
Everything country seems to be going more to a rock sound, but steel guitar can
be played in rock n roll. Proof of that is Paul Franklin in Dire Straits.
Bruce Bouton just played on an English pop album and I heard the cuts and it
sounds really good. The subtle little tasty fells he did made the songs come
alive.
If you�re a young guitar player in a rock band, let me encourage you to explore
what�s possible with a steel. There are really no limits to what we can do with
any style of music. Look at Robert Randolph if you need inspiration. Even
Jerry Garcia used steel guitar with The Grateful Dead.
I�m looking forward to seeing and hearing the next Rock N Roll steel guitar
guru. I�m excited to see where the instrument is going to go in the next twenty
years.
The one thing I love the most about the instrument is when I�m sitting at home
and I still hear new ways to do different licks even after 39 years of playing.
You�ll never get bored because the possibilities are endless.
For instance, my 17 year old son plays rock guitar and one of his favorite bands
is a progressive metal band called Dream Theater. One their last album they had
a ballad and as a joke to show him that steel guitar would fit with that type of
music, I learned the chords and played some fills in the song where there were
spaces and naturally he rolled his eyes at me, but had to admit that it would
work and that it sounded good.
So don�t think of steel guitar as just a country instrument. Open your mind to
all kinds of music and see where steel guitar takes you. Then see where you can
take steel guitar.