by Ken Byng » Sun Aug 22, 2010 10:00 am
Barry/Eddie
I too have a 3U rack, complete with Lexicon multi effects, DBX compressor and Korg tuner. 3 audio stage leads and one mains lead. Even having it by my side though increases stage clutter. I used that set up for many years, but have now gone for a simpler system. I remember playing on the same stage as The Hillsiders many years ago, and I couldn't believe how clean and uncluttered their side of the stage was compared to the band I was playing in. We had leads and gear all over the place. That is one element of professionalism, and also has the advantage of minimising trip hazards. We took a leaf out of their book after that.
I tend to vary between my Hilton and Emmons pedal. The Hilton is fine, but I don't like the mains feed. However, it is one of the joys of having a pot-less pedal.
Going back to pot v pot-less pedals - there is a definite difference in tone. I have friends who will not entertain a pot-less pedal, saying they sound too clinical. I am fairly ambivalent about it. I've seen some of the greatest players in the world play through good old fashioned pot pedals and have a simply wonderful sound. I just get hacked off with having to replace pots and not having the quality there any longer. I've tried them all, PEC, HotPotz, you name it I've tried it. None of them come near the good old Allen Bradley type J 500K log pot. My Emmons pedal has an original AB pot, as has one of my 4 ShoBud pedals and my Fender Vol/Tone has its original AB pots. The Hilton does have a tone adjustment to knock off a bit of top end if required, but it doesn't sound quite the same.
Show Pro D10 (amber) 8 + 6, MSA Signature XL D10 (redburst) 9 + 6, Sho~Bud D10 (sunburst) Pro 111 8 + 6, Emmons D10 Push Pull - (black) 8+5, Zumsteel D10 (blue) 8 + 8, Hudson pedal resonator, 10 string lap steel. Telonics, Peavey & Webb amps,