by hickenjr » Thu Jun 25, 2020 9:48 am
If I'm honest. I was in the same boat. Playing country standards with my family band was easy but as soon as I was asked to play with young Americana bands I got sacked and replaced with less experienced steel players who were multi instrumentalists, with big brains.
I used to over-complicate theory. Most of the videos on YouTube already expect you to have a good knowledge and non of them tell you how to incorporate theory onto steel...only piano and etc.
I learnt the Nashville number system when I was 17 but again, still didn't know how to incorporate the minors because all I knew was 1,4,5 I'm gunna break your heart.
Joining the Paul Franklin Method was great for my theory knowledge because not only does it present theory in baby steps, it also tells you how to do it on steel rather than other instruments and having to transpose it.
Learning intervals was the game changer for me. Play runs that are based on scales without actually having to know scales. I can now calculate extended chords and work round my copedent with pedals/kneelevers I'm missing. How to bodge moves other people do with levers missing from my guitar, and if there are no bodges for it...what do I ask Bob Adams to do with my guitar.
I don't totally regret being self taught though. I formed a style without copying tabbed licks, "my ID card" as my old man puts it.
I may get things wrong sometimes, but that's part of the learning experience. The Paul Franklin Method has given me the knowledge of where I am and what else I "need" to learn. At this point in my progression, music theory is just speeding the thought process up. I don't have to form licks by trial and error anymore. I've still got a long way to go but I hope to get to a point in the next couple of years where I can hear something in my head and instantly be able to play it.
I've got to say, I was dead chuffed yesterday when I gave information out about minors and flat thirds and their relationship with changes I don't even have on my guitar. Last year I only knew the root of a triad chord.
I might have done things backwards, but I'm getting there.
Kind Regards, Steven Hicken Jr.
Steels - 2015 Show Pro SD10 - 2025 Resobird - Steven Hicken Sr's 1981 Sho Bud "The Pro-1"
Amps - Quilter 202 TT12, TC Furlong Sesh 400