I think Andrew has nailed it with his analogy with the piano. We all know where the piano came from. But it has outrun its infancy. In its full maturity, it is played in all styles. We all know where the pedal steel has come from. I'd like to think it is on its way to the same sort of "universality" as the piano - it is certainly a hugely flexible instrument.
It seems to me that one can be reasonably competent in country music by learning some basic musical theory (it always helps) and marrying it to competence with a reasonably small number of set musical "figures". One could almost say "clichés", but that would be unkind. Anyway, I think my meaning is clear.
JD is always telling me off for wanting to play stuff that isn't country: Lennon-McCartney songs, old Sinatra ballads, songs from the shows. He's right, in that while I do so, I fail to develop that set of set phrases which are so useful in country music - or at any rate, country music as it was. We all know that country music is on a rollercoaster ride away from its roots in musical and topical terms. But my point is, it's how I learn, it interests me, it's music that I like, so why the hell not?
I think BJ's phrase "playing with an American accent" is a neat way of saying "restricting yourself to one musical genre". I agree with him. Let's stretch our hand out far and wide.


