GURNIN' & BODY POPPIN'

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Re: GURNIN' & BODY POPPIN'

Postby ZBSD-10 » Mon Dec 06, 2010 9:20 am

More like breaking wind perhaps ?
Frank. Corfu :lol: :guitar: :oops:
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Re: GURNIN' & BODY POPPIN'

Postby IanPearce » Mon Dec 06, 2010 10:42 am

Never trust a spell checker :oops:

Where's that edit button gone, just when I need it? :x
Last edited by IanPearce on Mon Dec 06, 2010 2:05 pm, edited 3 times in total.
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Re: GURNIN' & BODY POPPIN'

Postby e9b6 » Mon Dec 06, 2010 11:59 am

Eye halve a spelling chequer
It came with my pea sea
It plainly marques four my revue
Miss steaks eye kin not sea

Eye strike a key and type a word
And weight four it two say
Weather eye am wrong oar Wright
It shows me strait a weigh

As soon as a mist ache is maid
It nose bee fore two long
And eye can put the error rite
It rare lea ever wrong

Eye have run this poem threw it
I am shore your pleased two no
Its letter perfect awl the weigh
My Chequer toed me sew

:lol: :lol: :lol: :lol: :lol: :lol:
Anapeg single 11 (Brumley) into Peavey Transtubefex into Peavey CX200 into pair of Celestion BN12-300S speakers
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Re: GURNIN' & BODY POPPIN'

Postby Paul Brennan » Mon Dec 06, 2010 3:09 pm

Did you ever notices Buddy's facial expressions? I've never seen him live so I'm only going on what I've seen on EweChoob and a video of the 1988 Newbury Festival. He seems to look at his fellow band members a lot, smile, laugh, giggle, cajole, etc. He's obviously thoroughly enjoying the music and the sound he's making (wouldn't you?). On another level, this is great communication with the rest of the band and really helps pull performances out of people and generally hold things together. I was in Sarah Jory's backing band once. It was very interesting to note the way she managed, through the use of body language and forceful playing, to lead the band in a completely unrehearsed half hour set of non-trivial numbers.
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