Donny, one important aspect of ESGHoF and international festivals like the Irish Steel Guitar Festival is to bring great steel players from around the world to the notice of the general steel guitar public. Steel Guitar music like all other forms of popular music has been dominated and managed by the record companies, which for practical purposes means the US and Nashville in particular. This situation is now changing with the internet and the ability to publish one's own recordings. The ISGF, Chanos and others are encouraging the development of a European expression of steel guitar music which can only be to the long term benefit of our instrument.
Mike and the hard working committee of the ISGF are doing a great job supporting the professional playing side of the business whereas the
Chanos International Steel Guitar Festival (CISGF) and the developing
South of England Steel Guiatr Festival are aimed at encouraging ordinary players to get playing. Together we are pushing the top and the bottom of the business.
As a matter of interest the ESGHoF presentations are hosted by CISGFand ESGHoF pays for the meals and one night's accommodation for any attending inductees and partners. However if they want to play they must buy a players ticket just like any other player. This usually confuses them at first, but you know what? Everyone of them gets the idea and has a great time; best summed up in the note to me a few days ago from Hans De Jong:
Once again thank you for being so kind to me this weekend; it really was a special moment.
And yes Chanos is the home and holy-ground of steel-guitar in Europe, finally there is a place where history of steel-guitar find a shoulder and never will forget.
There should be a sign on the city board when you approach Chanos (Chanos Home Of Steel-Guitar)
Some pics of Hans, Mark and Coy Pereira's daughter Rosy Pereira:

