Heartland Balladeer wrote:s or are there bands crying out for even mediocre steelies?
'Fraid so

Here's a story.
After being in a rock 'n roll band, then a folk musician/singer for 10 years, circa 1980 I landed a job in a country band on lead guitar

. The learning curve was not too steep but I heard a lot more steel guitar than ever before. Years earlier, I had played about with a nut raiser on an old acoustic but now, saw pictures
and an advert in a Country Music People magazine. So I went to Denmark Street and bought an S10, 4+6 Driftwood from the ShoBud shop. I carted it back to Tyneside and started "learning" with the (tremendous) Winnie Winston

. Within four months that thing was on stage with us for a few songs in each set. That's when I realised that if you can play three chords (the right ones, of course) and can do the "no-pedals chord, slide up seven frets and stomp on A+B" thing for a finishing tag you've got it made. That's how discriminating the workies-club audiences were then (maybe still). I was better than that though, I COULD DO A TRAIN WHISTLE NOISE too! That's when they really knew I was good!
I was, of course,
awful by proper steel players standards, but getting up under the lights taught me more in my first year, about performing and keeping the punters happy, than all the books in the world.
So - find, or form, a band as soon as you can play a bit and that's when you'll really start to
learn 