Pad or no pad?
I'm not sure quite where to post this topic.
I was very impressed by JD's Emmons restoration. But it got me thinking...
Why do we have a pad on an SD10 when there isn't one on a S10? If the pad is to affect our wrist position (anybody had piano lessons?
Ouch!!) If so, then we are using two separate techniques to play the instrument. Might this have a bearing on our ability to palm block, or speed pick, for example? Does a pad affect our wrist position? I thought the Emmons without the pad looked great. The lack of a pad didn't seem to affect John's playing.
I also began to wonder about cabinet drop. Would a wider apron beyond the first string, for example, by a couple of inches, have a bearing on tuning, cabinet drop etc. I know this would increase the weight for E9 players, but it still wouldn't be as heavy as a D10.
Any thoughts?
I was very impressed by JD's Emmons restoration. But it got me thinking...
Why do we have a pad on an SD10 when there isn't one on a S10? If the pad is to affect our wrist position (anybody had piano lessons?
I also began to wonder about cabinet drop. Would a wider apron beyond the first string, for example, by a couple of inches, have a bearing on tuning, cabinet drop etc. I know this would increase the weight for E9 players, but it still wouldn't be as heavy as a D10.
Any thoughts?