The British Steelies Society

A little experimental idea i came up with for learning harmonised scales. Let me know if this is any good, I've got a couple more.
Jason.

Cool I didn't see a smilie for applause. Donny.

Thanks Donny.

Thanks for the post!

Great simple way of remembering where you are on the neck.

Thanks for taking the time and sharing this Jason. Grist for the mill is always appreciated

At long last, I got round to finishing these off. Hope they help.

Good Stuff Jason
Thanks for the posts

No problems. Cheers Danny.

Jason,

In Part 3 you say "when using the A or E - but never together" that you haven't been able to see a thread that holds it all together. Surely the use of the open 5 string and the lowered 8 string is the same as the same pair of notes two frets back, using A & F? In other words, you are finding the same pair of notes, but in a different place? If so, the thread that works for the first half of that video also works for the second half.

As an example, fret 6, A&F gives the tonic (G) on string 5 with the A pedal, and the major third (B) on string 4 or 8, raised by the F lever.
Ok, so also is fret 8, no A pedal, you still have G on string 5, and string 8 lowered from C down to B by the E lever. These two positions are "synonyms"!

It just goes to show there's no substitute for knowing where the notes can be found!