I think a lot of bum notes are born out of lack of concentration, we sit down at the steel but so many other issues of the day run through our mind and suddenly our head and our fingers are not coordinated, not trying to be a psychologist here, just a thought and I know I am very conscious of it, also because we have several choices of where we can play the tune on the board we are indecisive and therefore running almost behind the melody rather than in front of it.
There were no bum notes on your clip John until you were 75% through it when suddenly you were thinking S**t I’ll miss the post if I don’t hurry up here (true or false?? I know you Mr!) Then it's the ooops! moment! I think we are all guilty of it.
Regarding our failings and I guess more on technique than carelessness, all my days playing steel I have tended to lift the bar, my sound is not horrendous but it is a habit I would like to lose. I am always impressed when even 'fast picking’ the Whites and Franklins etc have the bar stuck like glue, it amazes me sometimes.
Right now I have my pedal into the patch side of the amp and the guitar straight to the high input, never done that before! (for once I read the manual and it’s not even a leap year!!) anyway it means that there is still volume even when the pedal is backed right off so it is creating it’s own discipline as you can imagine! Sorry now we are on yet another topic, pedal control. My only pet hate and a knuckle rapper with new players is the ‘pedal organ’ foot technique! That just as to go! …….
Did you get me started there JD, Goodness! And I’ve got things to do too! ............There you go! ...... I’m back where I started!