Ken - you NEED a ShoBud D-12!!! (And a team of porters, of course)
Sorry Richard
- get it now! Oh, you wags with SD-10s.
Peter - here's my story, see what you make of it: ring any bells?
I got an 8 string plank some time ago and bought a C6th string set that had a top "G". After making some sense of the tuning and finding quite a number of "chordy" tunes, I tried the "G" out on PSG. The same stuff was all there, of course, but when I fooled around with pedals it gave a completely new angle on what they did. So the pedals/lever(s) started to make sense too. This insight confirmed that C6th is definately a "push the bar around" tuning first and the pedals are the bonus - unlike E9th, where the pedals and the chromatic strings are an integral part of the technique/style from the start. Previously I had tried (and failed) to copy some of the runs that we hear and admire on tracks from the more emmon-ent players! But I'm now convinced that the chord route is the way to go, certainly at first, and a high "G" helps to understand the nature of the tuning. You can always put a "D" on there later IF you feel you need it.
As an afterthought, I could tab out a couple of pedal-free licks; possibly for the newsletter? (I've done stuff before but the lack of feedback was discouraging). There are two off the top of my head that can also work on E9th in places where the intervals of that tuning correspond to adjacent strings in C6th (using different strings and in another key, of course). Tell me what you think?